Archaeology of the Huasteca: The Ekholm Collection

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Who was Gordon Ekholm? Discovering the Huasteca The Ekholm Collection at the AMNH Ethnohistory and Other Data on the Huastecs Ekholm's Methods: Archaeology at a Time of Change Bibliography

Authors:
Adriana Jimenez Greco, American Museum of Natural History
Christina M. Elson, American Museum of Natural History

In the 1940s, Dr. Gordon F. Ekholm, curator of Mesoamerican archaeology at the AMNH (1937-1974), was one of the first archaeologists to excavate in the Huastec area on the east coast of Mexico. Today, his numerous findings are housed at the American Museum of Natural History. Ekholm's fieldwork acquired data on the existence of widespread cultural links amongst Prehispanic peoples.

Who was Gordon Ekholm?

Ekholm and his excavation team

Dr. Gordon F. Ekholm was born in St. Paul, Minnesota in 1909. After receiving his BA from the University of Minnesota and his MA in Anthropology at Harvard University, he joined the staff of the Museum in 1937. He received his PhD from Harvard in 1941 and served as a special field-assistant in northwestern Mexico under the supervision of George C. Valliant. He became Assistant Curator in 1942, Associate Curator in 1947, and Curator in 1957.

Ekholm participated in and headed many archaeological expeditions to Mexico, Guatemala, Honduras and Belize. After retiring in 1974, he became Curator Emeritus and continued consulting on museum projects. Dr. Ekholm was a lecturer in anthropology at Columbia University from 1943 to 1971, where he gave courses in Mexican archaeology. He was a consultant for the former Museum of Primitive Arts and a member of the Advisory Committee on Pre-Columbian Art at Dumbarton Oaks. He participated twice in the preparation and redesign of the Hall of Mexico and Central America (in 1944 and again in 1970) and wrote the catalogue for the hall. He was also president of the Society for American Archaeology from 1953 to 1954 and of the Institute of Andean Research from 1968 to 1971. In addition to his field work, he contributed extensively to various journals. His texts appeared in Anthropological Papers, Natural History, and Curator (all publications the of AMNH), as well as American Anthropologist and American Antiquity.

Dr. Ekholm married Margueritte M. Wander in 1937. She joined her husband on many of his expeditions and worked with him at the museum as a volunteer. He died unexpectedly in December 1987, after undergoing minor surgery. Today, the AMNH remembers him as an early authority on the pre-Columbian archaeology of Mexico and Central America whose research contributed to a better understanding of Pre-Hispanic cultures.

Discovering the Huasteca: Excavations at the Panuco and Tuxpan Regions

Circular pyramid at Las Flores	Lower levels of excavation

When Dr. Ekholm began his excavations on the east coast of Mexico in 1941, he originally intended to work north towards the border of Texas, in order to evaluate the possibility of Mesoamerican cultural influences on the southeastern United States. Initially, he was struck by the similarities between the pottery of both regions and suggested that the two ceramic traditions were culturally connected. This plan, however, was modified as Ekholm and his team found a substantial amount of material worth studying in the Tampico-Panuco area alone, where a culture known as the Huasteca developed in Pre-Columbian times.

The Huasteca developed in a wide area that extends without precise boundaries through the actual states of Tamaulipas, northern Veracruz, San Luis Potosi, Hidalgo, and some parts of Queretaro and Puebla. Realizing that there were abundant archaeological sites and materials in the region that had been neglected, Ekholm carried out the very first stratigraphic study of the zone, attempting to establish a chronological sequence to identify the age of the remains found in different layers beneath the ground. He classified his findings under very descriptive categories according to their material, function, color and texture (see Appendix 1). For Dr. Ekholm, not only was it crucial to use these artifacts to establish a chronology of local cultural development, but it also was important to insert them into a wider cultural context. This is evident in his intent to compare them with the material culture of surrounding peoples.

Excavation at Tabuco, Tuxpan region and Las Flores, Tampico-Panuco region

Ekholm felt it was important to collect more regional data before the artifacts of Tampico-Panuco could be taken as "representative" of the Huasteca. He thus returned to the field in 1947 to excavate sites near the Tuxpan Valley. He began by making surface collections at 23 separate sites, in order to give "a fair sample of the large number of sites that must exist." Of these sites, Tabuco was the most interesting, since material at that site suggested it was occupied over several time periods. Finally, Ekholm traveled southwest towards the ancient Totonac capital of El Tajin for the purpose of collecting data that he could use to compare with his information from sites further north. His research suggested that the Huastec and the Totonac were similar in some cultural aspects during the Classic Period (A.D. 200-700).

The Ekholm Collection at the AMNH
The Ekholm Collection at the AMNH is vast and includes thousands of artifacts from the Huasteca: vessels, blades, figurines, tools, jewelry, and objects made of carved bone. Only a small fraction of Ekholm's research on this collection was published; the rest, documented in his personal notes, photographs and sketches, remained publicly inaccessible (see Appendix 2). In 1944, Ekholm published a monograph titled "Excavations at Tampico and Panuco in the Huasteca, Mexico". The monograph contains the some of the data from his investigation. In 1953, "Notes on the Archaeology of the Tuxpan Valley and Neighboring Areas" was published in Revista mexicana de estudios antropologicos (Mexican Journal on Anthropological Studies). The content if this article is more descriptive than the AMNH publication and many of the specific sites that Ekholm excavated were not discussed in detail. It is evident that Ekholm based many of his interpretations of the Huasteca on a selection of representative sites; however, it is crucial to identify all the sites he worked at and the data he found at each one. My aim was to divulge the valuable contents of this wide array of unpublished research. After creating a database of his uncatalogued material, I reviewed the archaeologist's excavation notes to learn what he had said about these objects. Next I will present a general overview of some of the artifacts that compose the Ekholm collection at the AMNH (see Appendix 1 for more illustrations).

• Pottery. More than addressing architectural and urban issues, Ekholm was interested in analyzing the pottery of the Huasteca in order to establish a time sequence of its development, so he could compare Huastec ceramics with the ceramics of other regions. This was done by analyzing decoration and rim types. Ceramics from the Panuco and Tuxpan sites were classified into Periods I - VI, which spans the most archaic era to the Spanish conquest.

Chila Blanco pottery	Fine-grain finish pottery	Red-on-Buff and Black-on-White pottery

Stella	Figurines	Fertility Goddess

• Figurines. Ekholm excavated an abundance of small anthropomorphic clay figurines in the Huasteca, spanning all six time periods. Figurines, as well as larger sculptures like stele often have lively expressions and a vivacity practically unseen in other Pre-Hispanic cultures. They reveal a culture that was clearly ritualistic. The vast majority of them represent voluptuous women that in the Huasteca stood for diverse deities of vegetation, but there are also male figurines. In both cases, the sex is always clearly indicated, possibly symbolizing (as some authors have suggested) a cult related to issues of fertility. Zoomorphic figurines are also common among the Huastec. Representations of diverse animal life sometimes functioned as musical instruments (such as whistles in the shape of birds, or rattles in the form of armadillos). Other figurines were part of other ornaments and sculptures.

Copper bell

• Other. Ekholm excavated many objects of human and animal bone, such as combs, needles and knives. Although these were mostly functional, many of them were found in graves, suggesting they were needed in the afterlife. Shells cut to form the Sign of the Wind God were quite common in the Huasteca. In late Central Mexican ceremonial art, the design formed by the center scroll represented one of the signs of Quetzalcoatl. Sahagun refers to the ornament as ecailacatzcozcatl, "the spirally voluted wind jewel". It is quite probable that these are the artifacts wore by the God in the codex illustrations. In his representation he is frequently shown wearing a shell pectoral. The Huastec were known for their skill in the manufacture of pectorals and shell earplugs (the same motif is used in other media, like dishes from Cholula) and Ekholm suggested that Quetzalcoatl was originally a divinity from the Huasteca. In all the sites, Ekholm dug up a myriad of chipped-stone implements. These useful tools were mostly made of obsidian and helped the Huastec in their day-to-day activities.

Ethnohistory and Other Data on the Huastecs
The actual origin of the Huastec people is unknown. Both Fray Bernardino de Sahagun and Fray Juan de Torquemada relate that the first settlers arrived by sea and settled at Tamoanchan, a place yet to be located. In contrast, linguistic evidence indicates that the Huastec initially descended from Maya speakers that traveled up to the region at some unknown time in the past (Huastec is a Mayan language that is still extensively spoken, although its aboriginal culture pattern has largely disappeared). Around 100 BC they were isolated from other Maya speakers and surrounded by the Nahua to the west and the Totonac to the south.

Huasteca landscape
Oval structure

In Prehispanic History on the Huasteca (UNAM, 1979), Lorenzo Ochoa states that the Huastecs remained peripheral to the rest of the Mesoamerican cultures until the Classic Period, partly due to the region's geographic isolation and rich vegetation. From the Classic Period on, the Huastec had contact with the powerful highland cultures of Teotihuacan, Tula, and the Aztec. From these exchanges came new ideas in religion, numerology and calendars, architecture, construction, and urbanism. Little is known about Huastec political and social organization. Ochoa suggested that the Hausteca was not united under a single governing center, but divided into multiple small providences ruled by independent caciques.

The Huastec were attacked several times by Aztec armies. According to the Mendocino Code, in the year 1 acatl (AD 1467) the Aztecs Triple Alliance, under the rule of Moctezuma Ilhuicamina fought against the Huasteca and Totonac and eventually conquered them. In Aztec Imperial Strategies (1993), Emily Umberger states that patronage by Mexica officials influenced Huastec art. At Castillo del Teayo, for example, the Aztec established a colony dedicated to artistic practices, creating a curious fusion of Huastec and Mexica styles in the local material culture and architecture. However, Huastec architecture is most famous for its round and oval structures, somewhat unique among Prehispanic cultures. In the 1940s, Du Solier daringly stated that these forms might be linked to the cult of Quetzalcoatl. By the Postclassic Period some Huastec architecture, such as the buildings that Ekholm excavated at Tabuco, included rectangular forms with rounded corners.

Ekholm's Methods: Archaeology at a Time of Change

...before one can measure or count, compare or contrast, one has to form categories (types of pots, contexts, cultures and so on). These categories are formed through the process of perception […] what one measures depends on perception and categorization and there can be no independent instruments of measurement since methodology is itself theory dependent.

- Ian Hodder, on Binford and Sabloff's Middle-Range Theory, 1982.

I do insist that my conclusions must be proved or confirmed by other larger excavations to such a degree that one can be fairly certain that most of the possibilities of inaccuracy are eliminated. Therefore, my interpretations are not intended to be unduly dogmatic. The chronological framework which is attempted here is presented tentatively, as one which must be confirmed before it can be fully accepted.

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